I’m going to tag this “stack,” after Brandon’s use.
after a full day of talking to people, I like to kick back and lie perfectly still in an ornate tomb for 900 years— kimmy (@arealliveghost) July 2, 2014
The greatest shortcoming of the human race is our inability to understand the exponential function.
I practiced tightrope for about an hour a day, and after about a week, I started to feel like, “I’m now getting my balance.” And as I was walking, I started to notice that it wasn’t that I was getting more balanced but that I was getting more comfortable with being out of balance. I would let the pendulum swing a little bit further and, rather than getting nervous and overcompensating by leaning too much to one side, I could compensate just enough.
This is some background to a project I’ve been working on that will heat up very soon.
I’ve liked math for as long as I can remember, but in the past few years I’ve gotten very frustrated with my math classes. In high school, the “trajectory” through a math curriculum is very clear (I could argue this isn’t good, but that’s a different discussion)—do algebra, geometry, calculus. Once you study math in college there is much less of a track. Fields like number theory, graph theory, differential equations, linear algebra, and more all grow organically without a clear path from one to the next. They are all linked and overlapping, yet taught as clearly defined blocks of material.
Yet, the classroom structure keeps from high school. This is already a terrible remnant. Lots of students at little desks all facing the same way, waiting for the professor to deliver content from the blackboard (or worse, projector).
This sucks. We can do better. Also: fuck problem sets.
I know, through things I’ve read, moments of personal insight, and research projects I’ve done, that mathematics is an artistic process. Perhaps especially in “pure”/theoretical maths; my choice of applied math is more akin to engineering. But arts and engineering are both creative fields, best taught through hands-on, open-ended project work. Much of this is rehashing A Mathematician’s Apology.
I feel lucky that I have enjoyed math for so long despite it being presented in such a terrible way. I have numerous amazing professors & teachers to thank for this—shout out to Schuette, Ladd, Fred, and Chun at Cranbrook, Chopp, Berry, Murphy, and Abrams at Northwestern’s McCormick, and Sandstede, Gemmer, Maxey, at Brown’s DAM. These mentors have all been excellent, but only a few (Murphy mostly, Gemmer a bit) have actually pushed back against the traditional math classroom structure. This traditional classroom structure is linked with how math is taught and how it is performed at high levels, and has been perpetuated through time.
How do we escape the traditional structure of curriculum linearity, isolated fields, problem sets, and professor lecturing? Higher maths are a tangle of beautiful ideas, all linked together in incredible ways. We need something that encourages a more flexible strategy for discussing mathematical ideas, one with more cross-disciplinary idea mashing, more peer learning, more space for dumb question asking.
The classes I have had that embrace that (and have been some of my favorites) are studio classes. I had a “studio” experience freshman year at Northwestern through some engineering product design classes. More recently at Brown/RISD in an intro to drawing, a metal studio class, and a web design class. These are terrific and allow for creative thought, sharing, discussion, idea generation, and a balance of abstract theoretical thought merged with craft and hand skills—one of my favorite dualities in life. None of these were perfect… HTML Output perhaps the best, but I learned some things.
The core components of this style of classroom (versus lecture, seminar, et. al.), to me, are:
"Studio Applied Math" is my attempt to bring a studio-style classroom to the Division of Applied Math at Brown. I don’t want to sit through any more lectures. I don’t want to do any more problem sets. I will, unfortunately, have to—but this class will help me find the classroom I’ve been looking for.
SAPMA (“Studio APplied MAth”) will be a project under the umbrella of Brown STEAM but is being led by me and my friend in Applied Math Mara Freilich. It will be a GISP (“Group Independent Study Project”) in spring semester 2015 at Brown (assuming our proposal gets accepted). This means it will be a for-credit class in the Applied Math (APMA) department.
Mara and I share our frustration in the limited scope and variety of higher-level math classes. Many of these fields are very new and still in flux—students should be aware of the people and foundational ideas behind them, if not capable of adding their own thoughts to the field. This is where flexibility and exploration and bravery should be embraced.
SAPMA will (fingers crossed) be a group of 8-10 people who meet once a week for a long span of hours (in true studio fashion) to share what they’ve been working on for the week, have a discussion, perhaps a guest lecture, work, and formulate plans for the coming week. Research and background work is expected to be done outside of valuable group time, during when the emphasis should be on critique and discussion. We will have a class reading list, guest lecturers, and potentially a field trip or two. As for assignments, beyond reading, the minimum will be two “projects” throughout the semester—a midterm and a final. The projects include the presentation of all work done, as an individual, group, or entire class!
What do projects look like in applied mathematics, you ask? Much of it can simply be a literature review—research as an accumulation, combination, articulation, and critique of previous ideas. In can also be programming: much of modern day mathematics is computational, and this is inseparable from our goals in the class. Find a question that interests you and chip away at it—test some of the assumptions, explore some answers, see what other people are saying. This is “math” and can be just as aimless and fraught with dead-ends as the archetypal art-making process. And despite our name (and host department), projects from pure math, physics, engineering, and more are by no means ruled out; in fact, we make for a stronger team by having diverse backgrounds, interests, and fields of work.
SAPMA will also be a way to engage with the quantitative departments at Brown in a new, creative, and high-level way. Our roster is mostly senior or junior students, with connections to professors and research facilities. We hope that by providing a space for free, open collaboration and exploring, we can pique the interest of those around us and continue the conversation of how to best teach and practice mathematics.
We recently set a theme for the class: Complex Dynamics. This includes fields such as machine learning, network theory, nonlinear dynamics, and basically anything with complicated sets of interrelated parts. This broad field is very hot these days, with places like the Santa Fe Institute, NICO at Northwestern, C4 at U Wisconsin, CSCS at U Michigan, and CSDC at ASU, to name a few. It is wide enough to accommodate for our diverse team of mathematicians, computer scientists, physicists, and more—while providing a guiding interest that is relevant in our increasingly complex world.
SAPMA has been a long time coming. Something like it has been bopping around my head abstractly since the end of high school and only became concrete when I talked to Bjorn Sandstede, the chair of the APMA department at Brown, about changing the curriculum in Fall 2013. The opportunity presented itself and I’m going for it. I’ve long been passionate about math, education, and the creative process—this will hopefully be a peak of exploration in all three.
I’ll update on this blog with major updates and on the class blog with more frequent, smaller ones. As the summer closes, we are working on making our reading list and starting our GISP application. Energy is high, though, and I’m ecstatic.
I fancy myself a mathematician (at least aspiring mathematician). As much as I love the field, when left up to my own devices I do less formal mathematics and more thinking about math in an abstract sense. The question “what does it mean to be a mathematician?” is of great interest to me. And the last link helps articulate a lot of thoughts. I should learn to write better.
I have an affinity for nice pants. It has grown alongside my interest in finer clothing and fashion trends.
It started when I hopped on the nice denim bandwagon. I bought a pair of “Hazlewood” fit jeans from Blackbird Ballard in 2010, back when they still made clothes. At $195 it was more than I had ever spent on basically anything in my life (I was 17) but I had been very frugal in high school and saved my allowance. I waited eagerly for the package notification after ordering them online. It was a great “entry-level” denim: they definitely needed breaking in but weren’t made of cardboard. They stacked beautifully. Indigo so dark some of my friends thought they were black, and I was careful not to sit on white couches or even wear white shirts with them. The denim was relatively thin, however, and they did not have self edges. This didn’t ever bother me. The hardware was all Blackbird in-house and very nice. Their first wash came in about 9 months, the summer before I started college. I wore them very regularly but not every day. One spare afternoon I took a sharpie to the inside of them and wrote out many of my favorite quotes. I piked the idea of wearing something with values I appreciated physically attached.
Spring of 2011, before the Hazlewood’s first wash, I also got a pair of Gant canvas khakis. I bought them slightly too big in my excitement. These too I wore regularly and they fit in well with my high school’s preppy demeanor. In summer 2012 I had the waist tightened, which affected an interesting elastic detail in the yoke but retained the general look. They had 4 small darts at each knee such that the pant leg is curved slightly, which results in a very good looking drape. They have recently returned as my “studio pants” and now feature some frayed edges, a couple rips, and some large grease stains.
In fall of 2011 I bought a pair of RRL jeans on Styleforum. Jumped on the opportunity to pay $70 for a pair that MSRPs at $325. They fit me, but were quite tight. I could tell instantly that the denim was much higher quality—slubbier, thicker, more heathered. I liked them a lot but the fit wasn’t quite right and the length too long. I wore my Hazlewoods more frequently. I continued to wear corduroys, a staple from high school, through my freshman year of college. At the same time I got the khakis adjusted, I got the RRLs hemmed to fit me better.
In summer 2012 I also bought two pairs of black UNIQLO chinos and have absolutely loved them. They fit me perfectly. These became my staple pants sophomore year of college, and I sporadically wore the two pairs of jeans. I wore a lot of khakis at this point. (There’s a post on this blog about my search for the perfect khakis. Club Monaco was best but I destroyed them dancing one night.) After this summer, my pants wardrobe tended to black.
Christmas 2012 I got a pair of black Rag and Bone x Barneys moleskin trousers. They instantly became my new favorite pair, due to the incredible texture, great length, and fun little ticket pocket just below the back right pocket. The side pockets were unfortunately designed however and stuff regularly falls out when you sit. I have literally worn these until they have fallen apart. This past spring, I was wearing them and someone behind me asked, jokingly, “what version” they were on due to the numerous patch jobs on the back seat and pocket areas. I have 4 or 5 attempts at keeping them together, but the sear fabric is just too thin to last much longer.
In summer 2013 I saved all summer for a pair of “The Climbers” by Outlier. They advertise as being the future of pants and I believe it. They feel like sweatpants (and are as stretchy as sweatpants) but have a wonderful sleek texture and very cool details like notched pockets and a yoke designed for biking. Oh, and did I mention they’re highly water resistant? I was smitten. At this point I was basically just rotating the UNIQLO chinos, the moleskin pants, and the climbers. I wore the RRL some, but compared to the others, both pairs of denim felt uncomfortable. I wore the climbers two or three times a week for the past year. I washed them a bit too frequently—they have some ugly pilling action in the crotch. Some threads have come out, but by and large they are hardy. They were the only pair of pants I had for my 10-day Sweden trip and made for great travel wear.
During the 2013-2014 school year I realized I wasn’t wearing my denim any more. The RRL is sitting at home, maybe to be resold or given to my younger brother. The Hazlewoods, with a tear in my eye, were disassembled into fabric I could do stuff with. I have fumbled around with a sewing machine with them and have some further ideas. This is the route the moleskin pants will go too; the fabric is too nice to toss.
This summer I have already splurged twice. Having a high-paying tech job will do that. I got a pair of “Truman” trousers at Odin made by engineered Garments. As usual it was the details that sold me: subtle pleats, back patch pockets. They have a high rise and short inseam, which is a look I have embraced. When I wear sneakers they graze the top with no break. When I wear them with boots and my roundish glasses, I look like a train engineer from the 19th century. They aren’t black, sadly, but a dark navy twill.
I also just bought a pair of half-off very light-wash jeans from BLK DNM. This breaks a few of my “rules” in that they are definitely not black and they are pre-distressed, which I had previously sworn off. But they fit me fantastically and something about the aesthetic is exciting to me, a little more punk rock than usual. The branding is subtle and unlike my previous two pairs of jeans, these can stretch. Which, I’ve realized, is crucial.
One of the pairs of UNIQLO chinos is about done for, a couple patches in them too. The other needs repair of one pocket but is otherwise going strong. Beyond that, it’s the climbers, the EG pair, and the BLK DNM. So I feel on top of my pants wardrobe as I enter my final year of college.
Less worn, I also have a pair of black jeans from UNIQLO and a pair of green linen pants from Benetton. The former get worn every once in a while, the latter only on particularly sweltering days or at the beach.
I don’t wear shorts.
If I needed another pair now, I would be interested in Peir Wu x Snowman pants.
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